A much shorter LP than the UK release of the same name, it has three less tracks and was reduced in length at the insistence of the band’s American label to conform to the normal standards of the day – eleven tracks was enough for any fan! The American album opens with “Paint It Black”, which spent two weeks at number one in the summer of 1966. The cohesion and overall sound and feel of the album was in no way harmed by the inclusion of “Paint It Black” as it was recorded at the same March 1966 session in Hollywood as much of the rest of the album. Bill plays the bass pedals of a Hammond B3 organ by pummelling them with his fists and Brian plays sitar, both of which add to the unique sound of this standout track.
Few partnerships in rock 'n' roll have been as productive as the collaboration between Mick Jagger and Keith Richards, and of course having wunderkind Brian Jones along did nothing to hinder the Rolling Stones' popularity. From the get-go, the band played the raunchy, gritty doppelganger to the Beatles' dandified Merseybeat pop. They ventured a heavier, bluesier sound than their British Invasion counterparts, taking their cues from Muddy Waters and Howlin' Wolf.
The band's greatest strength, besides Charlie Watts, has always been their ability to add stylistic touches drawn from their interests in Eastern music, psychedelia, country and even disco to a blues rock chassis. It's difficult to listen to the trippy Their Satanic Majesties Request, the down-and-out honky-tonk of Exile On Main Street and the clean modernist surfaces of Bridges To Babylon and believe they were recorded by the same band. Of course, in some ways they weren't; the lineup changes that have dogged the Stones account for much of their musical diversity. Jagger's famous slur and Richards' sloppy guitar elegance are the two constants in the band's many life cycles that make every Stones song instantly recognizable. Its testimony to a great band when most of their fans today don't even remember them in their prime!! The Rolling Stones is a waterhole for every garage band worth its salt.
Some are hardcore fans, some are casual fans. Either way The Stones speak to generations of fans. From the 60s with the bluesy roots and the begging of the peak with Beggar's Banquet, over the 70s with experimenting sounds such as reggae, jazz and pop ballads, an 80s decade that started off good, but lost its way somewhere in the middle, the 1989 comeback, the departure of Wyman in 1993, renewed success in the 90s and the new millennium that still sees them doing great live shows. The last official album was A Bigger Bang from 2005, and they've more or less stopped making new stuff since. The Beatles quit the concerts to concentrate on the studio. The Stones, being the live band they always were, quit the studio to concentrate on the concerts.
Time and again they have proven that they really are the greatest rock 'n roll band ever. Personally, I'd love to go to their next show, regardless of where it is.
From wikipedia: ' Mother's Little Helper' is a song by the English band. It first appeared as the opening track to the United Kingdom version of their 1966 album. It was released as a single in the United States and peaked at #8 on the Billboard Singles Charts in 1966. The B-side ' peaked at #24.
The song deals with the sudden popularity of prescribed calming drugs among housewives, and the potential hazards of overdose or addiction. The drug in question is variously assumed to be (Miltown), or (Valium). Composition Written by and, 'Mother's Little Helper' was recorded in from 3–8 December 1965. The song begins with the line that is also heard as the last line in the repeated bridge section: 'What a drag it is getting old'. “ Kids are different today, I hear every mother say Mother needs something today to calm her down And though she's not really ill, there's a little yellow pill She goes running for the shelter of a mother's little helper And it helps her on her way, gets her through her busy day.
” The bridge section, which is repeated, has the line: 'Doctor, please/Some more of these/ Outside the Door/ She took four more.' Toward the end of the song, the are warned: “ And if you take more of those you will get an overdose No more running for the shelter of a mother's little helper They just helped you on your way through your busy dying day. ” The song is based around folksy chords and an eastern-flavoured guitar sounding like a, but is a riff played on an electric. Keith Richards stated in 2002: '(The strange guitar sound is) a 12-string with a slide on it. It's played slightly Oriental-ish. The track just needed something to make it twang.
Otherwise, the song was quite vaudeville in a way. I wanted to add some nice bite to it. And it was just one of those things where someone walked in and, Look, it's an electric 12-string. It was some gashed-up job. Lp songs download. No name on it. God knows where it came from. Or where it went.
But I put it together with a bottleneck. Then we had a riff that tied the whole thing together.
And I think we overdubbed onto that. Because I played an acoustic guitar as well.' Richards also remembers the ending of the song being the idea of, who also contributed a powerful and distinctive bass riff. The song is in the key of, but ends in the key of G major. Personnel. – lead vocals, percussion. – acoustic guitar, backing vocals.
– acoustic guitar. – bass guitar. – drums. – Nitzsche-Phone.
Rolling Stones Aftermath Wiki
Stupid Girl (The Rolling Stones song) From Wikipedia, the free encyclopedia 'Stupid Girl' by from the album ' Released 15 April 1966 (UK) 13 May 1966 (US). Length 2:55.
(UK). (US) track listing 14 tracks ' Stupid Girl' is a song by the English band, featured on their 1966 album. It was also issued as the B-side of the U.S. Background and writing Written by and, 'Stupid Girl' is noted for its apparently degrading lyrics towards women, a claim also made about other Stones songs like '. On the song, says in his review, 'Unlike another of the album's put-downs, 'Under My Thumb,' 'Stupid Girl' rails and spits venom with a high school garage rock band-like intensity and with about the same level of polish and focus. But while it is not as well-written as 'Under My Thumb,' 'Stupid Girl' possesses an endearing and energetic snottiness that might have won the Stones a good amount of sexually frustrated young men fans who might have otherwise started to defect to and when they heard ballads like '.' On the song's lyrics, Richards said in a 1971 interview with, 'It was all a spin-off from our environment.
Hotels, and too many dumb chicks. Not all dumb, not by any means, but that's how one got. When you're canned up - half the time it's impossible to go out - it was to go through a whole sort of football match.' When asked about the song and its influences, Jagger said in a 1995 interview with the same magazine, 'Yeah, it's much nastier than 'Under My Thumb'. Obviously, I was having a bit of trouble. I wasn't in a good relationship. Or I was in too many bad relationships.
I had so many girlfriends at that point. None of them seemed to care they weren't pleasing me very much. I was obviously in with the wrong group.' “ I'm not talking about the kind of clothes she wears - look at that stupid girl.
I'm not talking about the way she combs her hair - look at that stupid girl. ” “ The way she talks about someone else; That she don't even know herself; She's the sickest thing in this world; Well look at that stupid girl ” 'Stupid Girl' was recorded at ' RCA Studios on March 6–9, 1966.
With Jagger on lead vocals and, Richards on and backing vocals on. On, while plays. Plays on the song while performs. 'Stupid Girl' was performed by the Stones during their tour of 1966. It has been included on the 1989 compilation. 'Stupid Girl' story.
Rolling Stones Aftermath Uk Cover
I frequented a local record store which was one of the few punk/new wave outlets (an import store). They guy who ran it was cool and we often had a chat. He was also a volunteer DJ on the then relatively-new community radio station, which played the new music (3RRR). The news had a story of a rich female British celebrity who was in the paper for doing something improper, my memory tells me it's the sort of thing something would do when drunk, I really can't recall the details. Anyway, the record store owner was telling me how he commented on this celeb's news story, and said 'she was really a stupid girl' - not an inappropriate comment given her actions, and also as a lead-in to playing the Stone's 'Stupid Girl'. He then went on to say that he had radical feminists ringing in to complain that he called a girl 'stupid', which annoyed him given that her inappropriate behaviour was actually accurately described as stupid. The story has always stuck with the song from that point on.
Click to expand.I have a UK mono copy too but at 50+ minutes of playing time, the surface noise is almost as loud as the music This is one case where I strongly prefer the remastered CD over vinyl. IMO I never thought Aftermath was an overall great lp. It's a patchy album with some killer tracks. But IMO the lp is worth it just for I Am Waiting, one the Stones best ever tracks.
My main complaint is the sterile production. Sounds like everything was recorded at low volume. No punch to the drums or depth to the bass. Songs like Flight 505, Dontcha Bother Me, Stupid Girl, Take It Or Leave It, just sound too lightweight. The mono mix is a huge improvement but IMO this lp would have sounded infinitely better with a more in-the-red production such as the stunning powerful sound on the recent B-side 'Who's Driving Your Plane', Stones should have recorded Aftermath at the same studio (Olympic?).
This is the time when it's getting really good within the songwriting team of Jagger/Richards; everything was happening simultaneously with the band's strengthening as a unit, Mick and Keith finding their muse and stamp of creativity as well as Brian contributing various instruments that added texture or a mood to the material. I LOVE Aftermath/Between the Buttons era Stones. Their first peak, in my opinion.
Mother's Little Helper- A fairly interesting number that is sarcastic and wearisome with a country folk bend, the harmonies of Jagger and Richards and Brian's Sitar coupled with the song's basic upbeat tempo makes for an early Stones classic. 8 out of 10 or an A rating. Stupid Girl- I love Mick's raw vocal on this poppy and, lyrically, chauvinistic number. Stupid Girl is a perfect mid-60's British pop/rock song although, its somewhat dated soundwise, but the organ is a nice touch; accompanying the guitar and bass lines perfectly. 7 out of 10 or B rating. Aftermath is the first great Stones album.
I agree that the recorded sound is not as strong as it could be but the musical and lyrical inventiveness help to offset this. Mother's Little Helper: A nice put-down of a middle-class housewife who's hooked on her little pills and justifies them by saying she's run off her feet. Musically great. Maybe not a sitar but certainly an Eastern flavour on the guitar. Incidentally I always hear that she goes to see the doctor because she's 'due for more'.
Rolling Stones Aftermath Uk Version
Stupid Girl: A great put-down of an over-fashion-conscious gossip. I love the combination of organ, guitar and drums on this. The 'virgin queen' line is great.